Minna Virkki
All
Exhibitions 2025 (Upcoming)A Fullness Wants a Void, the Limitless Demands a LimitAsbestos Art Space
2024 What Void Whispered Kalleria Group exhibitions 2024 (Upcoming)Vapaus
  • Galleria Toinen Silmä
2022Informal Circuit
  • Väre / Aalto
2019Intelligent Mobility Hockney Gallery
2018WIP ShowRoyal College of Art
2018( ) SCAPES — Close Encounters with the Contemporary WorldThe Putney Arches
 Printmaking 2022–23Monotype prints on Hahnemühle paper30 x 40 cm (printing plate size)
2022Wood drawing on Nepali paper30 x 30 cm
2021Surfers — Screen print50 x 70 cm
2018Mamal — Letterpress, risography Paintings 2022Untitled — Acrylic on MDF Board50 x 60 cm
2022Untitled — Acrylic on MDF Board50 x 60 cm
2021Untitled — Oil Paintings on Paper20x 18 cm Photography 2021Untitled — Archival pigment print on Hahnemuhle paper, mounted on aluminum plate30 x 40 cm
2021
Brighton — Silver Gelatin Prints24 x 29 cm
2020Pine Trees Speak To Me
2020Abandoned
2020Urban Rock Mountain Other mediums 2024 Transcending Matter — NFT collection OpenSea
2022Islet — Single-channel video3 min
2021
A World Between — Archival pigment print on paper, AR, binaural audio24 x 29 cm
2020Digital Twin — Performance
(         ) SCAPES — Close Encounters with the Contemporary World11 April 2018
The Arches
High Street
Putney
London SW15 1SN
The Only Way Out Is In
2018
VR
3 min
 The Close Encounters elective, coordinated by Sheena Calvert and Leah Fusco introduced a series of primary (fundamental) questions surrounding representation, creative practice and creative thinking: engaging with the complexity of these questions through a creative lens and placing experience and imagination at the heart of how we form knowledge. Seemingly simple questions such as ‘What is an Image?’, ‘What is Materiality?’ ‘What is Colour?’, and ‘What is Language?’ are in fact highly complex/layered. However, they impact upon various aspects of knowledge and human experience and intersect with how we make practice-based creative work, irrespective of medium or discipline. Running parallel to, and intersecting with, these four questions was another, implicit question: ‘What is technology?’. In other words, we examined the larger context in which creative work is created: the ‘zeitgeist’.
     Engaging in a kind of ‘material’, embodied form of philosophy, the students took a journey deep into the heart of these questions and created the work you see here, with the aim of interrogating/ mining/undermining/building a series of fresh perspectives based on ‘forensic’ interrogations. This new understanding could then be dismantled, challenged, used or discarded in the context of student’s individual practice. By being invited to interrogate assumptions, and in taking a step back, the aim was to be both inspired, and challenged, and to move forward into future practice, more confidently, critically, and mindfully.

Artists:

Alexis Demetriades 
Daisy Buckle 
Henri Holz 
Karolina Partanen 
Kelly Huang 
Minna Virkki 
Regina Zhang 
Ryan McDonagh 
Sandy Leong 
Yilin Wang

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