Exhibitions
2025 (Upcoming)A Fullness Wants a Void, the Limitless Demands a LimitAsbestos Art Space
2024
What Void Whispered
Kalleria
Group exhibitions
2024Vapaus
2022Informal Circuit
2019Intelligent Mobility
Hockney Gallery
2018WIP ShowRoyal College of Art
2018( ) SCAPES — Close Encounters with the Contemporary WorldThe Putney Arches
Printmaking
2022–23Monotype prints on Hahnemühle paper30 x 40 cm (printing plate size)
2022Wood drawing on Nepali paper30 x 30 cm
2021Surfers — Screen print50 x 70 cm
2018Mamal — Letterpress, risography
Paintings
2022Untitled — Acrylic on MDF Board50 x 60 cm
2022Untitled — Acrylic on MDF Board50 x 60 cm
2021Untitled — Oil Paintings on Paper20x 18 cm
Photography
2021Untitled — Archival pigment print on Hahnemuhle paper, mounted on aluminum plate30 x 40 cm
2021
Brighton — Silver Gelatin Prints24 x 29 cm
2020Pine Trees Speak To Me
2020Abandoned
2020Urban Rock Mountain
Other mediums
2024
Transcending Matter — NFT collection
OpenSea
2022Islet — Single-channel video3 min
2018
A World Between — Archival pigment print on paper, AR, binaural audio24 x 29 cm
2020Digital Twin — Performance
Informal Circuit3—13 March 2022
Väre/Aalto
Otaniementie 14
02150 EspooIn his book “Beyond Modern Sculpture”, American art critic Jack Burnham proposes to divide modern sculpture into two categories: object and system. According to Burnham, the object relates to sculpture in its traditional physical form. And the system refers to an interacting assembly of varying complexity. Situated beyond the object state, the system assumes some measure of lifelike activity, and operates a reflective gesture on socioeconomic properties of objects.
The object would resemble to a moment of contemplation, where the on-looker appreciate the sculptural time. The system would develop a certain dynamic, or relation between its structural element, or materiality, and the subjectivation of the visitor experiencing the system in the space. These two abstractions found form concretely during the course Digital Sculpture 3, programming for sculptor.
The course advanced in phases in which we collectively learned the basis of motion using electric energy. We visited together how to control this motion both in time and duration, the essential concepts in programming, variables, condition statement, iterations, and the methods to interface the digital processing unit with physical analogue world both in term of inputs and outputs. The following phase introduced the idea of structure. An automated motion can happen only within a fixed framework, a structure to attach parts. This phase requires precision and a clear decision process. The structure works as the foundation of the exhibition building. The synthesis of the two phases produced a collective artwork exhibited in Väre building.
The exhibition attempts to produce a system, reflecting on the course practice, while setting a strong emphasis on the structural work as an object.Artists
:
Patrick Bundschuh
Jamie Lin Jiayi
Mika Kiviniemi
Nahyun Kim
Anh Ngo
Colin Meyer
Minna Virkki
Eero Brandt
Zhao Xingrui
Zhou Yunran
Lauri Järvenpää
Aino Ojala
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