Exhibitions 2025 (Upcoming)A Fullness Wants a Void, the Limitless Demands a LimitAsbestos Art Space
2024 What Void Whispered Kalleria Group exhibitions 2024Vapaus
  • Galleria Toinen Silmä

2022Informal Circuit
  • Väre / Aalto

2019Intelligent Mobility Hockney Gallery

2018WIP ShowRoyal College of Art

2018( ) SCAPES — Close Encounters with the Contemporary WorldThe Putney Arches
Printmaking 2022–23Monotype prints on Hahnemühle paper30 x 40 cm (printing plate size)
2022Wood drawing on Nepali paper30 x 30 cm
2021Surfers — Screen print50 x 70 cm
2018Mamal — Letterpress, risography Paintings 2022Untitled — Acrylic on MDF Board50 x 60 cm
2022Untitled — Acrylic on MDF Board50 x 60 cm
2021Untitled — Oil Paintings on Paper20x 18 cm Photography 2021Untitled — Archival pigment print on Hahnemuhle paper, mounted on aluminum plate30 x 40 cm
2021
Brighton — Silver Gelatin Prints24 x 29 cm

2020Pine Trees Speak To Me
2020Abandoned
2020Urban Rock Mountain Other mediums 2024 Transcending Matter — NFT collection OpenSea
2022Islet — Single-channel video3 min
2018
A World Between — Archival pigment print on paper, AR, binaural audio24 x 29 cm

2020Digital Twin — Performance

What Void Whispered4—17 March 2024
Kalleria
Kaarlenkatu 10
Helsinki

What Void Whispered, the first solo exhibition by Minna Virkki (b. 1985), presents twelve works related to the theme of silent observation and drifting. Comprising paintings, printmaking and textile, the body of work focuses on the integration of intuition into an interdisciplinary approach to abstract art.
    While working, Virkki delves into the process of intuitive making - she paints and photographs spontaneously and gathers ideas from her environment using wandering as part of her artistic practice. The works often originate from an initially unrelated but memorable remark, which, taken out of its original context, is later transformed into something else.
    In her artistic practice, Virkki seeks to move towards a more autonomous and undefined way of creating, and away from the idea of the artist taking control and producing.
    It is not the function of the form, which is shapeless and in flux, to represent anything. In the exhibition, the forms of the works appear as they appeared on the printing plate or canvas, and the impressions they evoke, whether they are pleasing or irritating, are left to the viewer to judge.

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